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Old 2006-03-13, 23:01
the lamb
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this technique???

Okay this is going to sound completely NOOB"ISH"'
Anyway, while going through some thrash tabs i came across this often repeated pattern of riffing


eg from:SLAYER - SOUTH OF HEAVEN

E E E E E E E E E E E E E E E E
E||---------------------------|---------------------------|
B||---------------------------|---------------------------|
G||---------------------------|---------------------------|
D||---------------------------|---------------------------|
A||-----------10--------8-----|--7--------10--------3--3--|
E||--0--0--0------0--0-----0--|-----0--0------0--0--1--1--|


E E E E E E E E E E E E E E E E
---------------------------|---------------------------||
---------------------------|---------------------------||
---------------------------|---------------------------||
---------------------------|---------------------------||
-----------10--------8-----|--7--------10--------3--3--||
--0--0--0------0--0-----0--|-----0--0------0--0--1--1--||



what i mean by repeated is that they all have this property in common:
muted 6th string: picked (usually the lowest note), unmuted 5th and 4th string picked (mostly half they way down the neck).


so what i wanted to ask was that: what is this technique called.
and how extensively is it used in metal (IE other than thrash)
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Old 2006-03-13, 23:11
Amon rA's Avatar
Amon rA
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uh... hu huh uh ... what?

it's called a riff, and its used almost exclusively in metal.

EDIT:

if you mean the combination of palm muting with not palm muting, then thats called variation, and variation is used a lot in all good music.

if you mean using more than one string, see above.

using a repeated open E(or whatever you have tuned your open string to) inbetween notes is called a pedal tone, and is originally a classical technique

palm muting your bottom string makes it heavier and tighter and sound cooler, not palm muting your other string allows the notes to be brighter and stand out more.
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Last edited by Amon rA : 2006-03-13 at 23:14.
 
Old 2006-03-13, 23:40
the lamb
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But is this what a chug is
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Last edited by lamb_of_satan : 2006-03-14 at 00:13.
 
Old 2006-03-13, 23:40
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I don't know if I would consider this kind of riffage a "technique". I also don't think it has a name. Its pretty common though.
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Old 2006-03-13, 23:55
the lamb
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I wouldn't call it a technique either but what else could i write.
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Old 2006-03-14, 00:03
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the method of writing a riff is used in melodic death metal a lot...a few minor changes...but basically the same set up...also in some metalcore and speed metal too
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Old 2006-03-14, 00:15
Doktorskell
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Using pedal notes is very common in metal.

Nearly all of my original songs i write contain variations on possible Pedal tones. They just sound good especially when sped up
 
Old 2006-03-14, 00:19
the lamb
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Okay. Thanks
One more question: is chugging similar to this
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Old 2006-03-14, 01:04
Seven
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You get the "chug" sound from palm muting. Its not an actual technique. Pedalling on the low E while palm muting it will give you that sound tho.
 
Old 2006-03-14, 01:10
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i would call that type of riff a string skipping riff with a pedal tone
 
Old 2006-03-14, 02:32
the lamb
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Oh ok thanks guys
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Old 2006-03-14, 03:06
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I actually use that "technique" if you want to call it that probably in every one of my songs, not to mention have seen it in almost every song i've heard by any metal band (with in some reason and exceptions to that) . Althoguh i loosely would call it a technique, maybe more of a composition style or riff style.
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Old 2006-03-14, 10:41
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Not to act like a guitar guru or anything, but Amon rA is right, it's refferred to as a pedal tone: whereby one repeating note is returned to between interpolated notes. There's a shitty technical definition anyway

'Alternative music' stole it, adapted it, then passed it off in 5 million half arsed 'hardcore' and pop metal songs. Yeah some good bands/riffs use it, but being a stereotyping arsehole is an essential skill of a metal head I hear. Once you recognise the general sound of pedal tones they'll most likely start to irritate you

Look at me I can play pop metal, I can pedal an octave and e minor!

a-------7-----5------8--7
e---0-0---0-0---0-0---0---etc
 
Old 2006-03-14, 19:26
Mapex7string
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i hate that type of riffing
 
Old 2006-03-14, 19:28
the lamb
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Lamb of god does it. So i am okay with it
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Old 2006-03-14, 21:19
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i've also heard this type of thing called drone notes, basically when the pedal note is on the bottom, not the top
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Old 2006-03-14, 21:27
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Quote:
Originally Posted by IlikeRiffseveryone
i've also heard this type of thing called drone notes, basically when the pedal note is on the bottom, not the top


I think that applies to typical piano playing whereby a lower note is played and sustained (i.e. wioth the left hand) and the right hand plays 'lead'/other over it. I don't think it applies to this pedalling style.

but... who gives a fuck about names
 
Old 2006-03-15, 01:14
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names are important cause otherwise everything would be refered to as "woss-name" and we would all sound like my ageing father

according to wikipedia
Quote:
In music a pedal point (also pedal tone, organ point, or just pedal) is any sustained or repeated note, usually in the bass, with changing harmonies in the other voices or parts (Rawlins 2005, p.132). The technique is often found near the end of a fugue or other polyphonic composition. Usually a pedal point is either the tonic or the dominant note, typically with some of the harmonies played above the pedal being dissonant with the pedal note. The pedal tone is considered a chord tone in the original harmony, then a nonchord tone during the intervening dissonant harmonies, and then a chord tone again when the harmony resolves. A dissonant pedal point may go against all harmonies present during its duration, being almost more like an added tone than a nonchord tone, or pedal points may serve as atonal pitch centers.

The term comes from the organ for its ability to sustain a note indefinitely and the tendency for such notes to be played on a pedal division.

A double pedal is two pedal tones played simultaneously.

An inverted pedal is a pedal that is not in the bass (and often is the highest part.) Mozart included numerous inverted pedals in his works, particularly in the solo parts of his concertos.

An internal pedal is a pedal that is similar to the inverted pedal, except that it is played in the middle register between the bass and the upper voices.

Pedal points are somewhat problematic on the harpsichord or piano, which have only a limited sustain capability. Often the pedal note is simply repeated at intervals. A pedal tone can also be realized with a trill; this is particularly common with inverted pedals.

A drone differs from a pedal point in degree or quality. A pedal point may be a nonchord tone and thus required to resolve, unlike a drone, or a pedal point may simply be a shorter drone, a drone being a longer pedal point.

Examples of tunes which include pedal point include Duke Ellington's "Satin Doll" (intro), Stevie Wonder's "Too High" (intro), Bill Evan's "Skidoo", Herbie Hancock's "Dolphin Dance", Pat Metheny's "Lakes", and John Coltrane's "Naima" (ibid).



which differs slightly from what i thought, but never mind.

i always though a drone was one long continued note, and a pedal was two notes played alternately, boht in the bass and both with melodies over the top.
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Old 2006-03-15, 16:41
Party Time 2000
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Drone notes, or droning, is most easily performed on the 7th fret.

the thing with droning is that you're just playing one note. ie: strumming the open E string and fretting the E on A string at 7th fret. I find this useful for songs that don't allow much time to hit the E5 at the nut. Droning the E will give it some added body since you're hitting two strings instead of one.

I suppose that playing octaves could be considered droning also.
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Old 2006-03-16, 05:01
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I think this was a really stupid question
 
Old 2006-03-16, 20:58
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that was really noobish.
 
Old 2006-03-17, 19:33
the lamb
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Thank you for mentioning that after 20 proper replies.
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Old 2006-03-22, 08:18
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welcome
 
Old 2006-03-24, 19:22
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Try to practice on some riffs of that type...
Henjo from Avantasia allways uses that shit in his solos...try to play some of his stuff
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