 Absorbed (NL) - "Absorbed" Guitar Tab
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This tab is available online because we obtained explicit permission from Absorbed (NL) and/or their label(s).
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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#Unless specified otherwise, this is NOT an official tab from the band members.#
#------------------------------------------------------------------------------#
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Band: Absorbed
Album: Sunset Bleeding
Song: Absorbed
Copyright (c) (Resurecte Records) (1999)
Version 1.0 - (2004)
Transcribed By: Zombie Clown
Email: bobnoboborjimnobobgoat@yahoo.com
. - palm mute / - slide up to
\ - slide down to ~ - vibrato
h - hammer on b - Bend
p - pull off Suffixes for bend
t - tap f - full bend h - half bend
ph - pinched harmonic q - quarter bend t - tap bend
* - see comment ^ - Hold bend r release bend
x - Stuccatto ~ - vibrato bend
, - slight palm mute () - ghost note, sustained note
" - tremolo note <> - Trill
Tunning E A D G B E
verse 1
guitars 1 and 2
|----------------|
|----------------|
|----------------|
|----------------|
|----------------|
|-*3/-----15*\---|
*play whatever notes you want on this slide
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-0-----2-3-2---4-5-|-0-----2-3-2---5-4-|
|-0-0-0-2-3-2-0-4-5-|-0-0-0-2-3-2-0-5-4-|
. . . . . .
after a couple of times guitar 1 plays this once:
|-------------------|--------------------------|
|-------------------|--------------------------|
|-------------------|--------------------------|
|-------------------|--------------------------|
|-0-----2-3-2---4-5-|-0-----2-3-2--------------|
|-0-0-0-2-3-2-0-4-5-|-0-0-0-2-3-2-0-5phbh-r-p4-|
. . . . . .
verse part 2
guitar 1
|-----------------|
|-----------------|
|-----------------|
|-----------------|
|-----------------|
|-0-3-2-1-0-4-5-4-|
. .
guitar 2
|--|---------------------|
|--|---------------------|
|--|---------------------|
|--|---------------------|
|--|-0------------7/10\*-|
|--|-0------------7/10\*-|
*again, these notes are only guidelines
guitars 1 and 2
|-----------------|
|-----------------|
|-----------------|
|-----------------|
|---3-2-1---4-5-4-|
|-0-3-2-1-0-4-5-4-|
. .
after a repeat, guitar 1 does this:
|------------------------|
|------------------------|
|------------------------|
|------------------------|
|---3-2-1----------------|
|-0-3-2-1-0-4ph-5ph-4ph~-|
. .
much later this is played:
guitar 1
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|---3-2-1---4-5-4-|
|-pick scrape-\---|-0-3-2-1-0-4-5-4-|
. .
guitar 2
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|---3-2-1---4-5-4-|-----------------|
|-0-3-2-1-0-4-5-4-|-pick scrape-\---|
. .
verse part 3
guitar 1
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-2-3-2-2-2-2-2-2-2-2-2-2-|-2-3-2-2-2-2-2-2-2-2-----------------------------|
|-2-3-2-------------------|-2-3-2-----------------3-3-3-3-3-3-3-0-0-0-0-0-0-|
guitar 2
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-2-3-2-------------------|-2-3-2-------------------------------------------|
|-2-3-2-------------------|-2-3-2-------------------------------------------|
which changes to:
guitar 1
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-2-3-2-2-2-2-2-2-2-2-2-2-|-2-3-2-2-2-2-2-2-2-2-----------------------------|
|-2-3-2-------------------|-2-3-2-----------------3-3-3-3-3-3-3-0-0-0-0-0-0-|
guitar 2
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------------------------|-------------------------------------------------|
|-------2-2-2-2-2-2-2-2-2-|-------2-2-2-2-2-2-2--6-6-6-6-6-5-5-5-4-4-4-4----|
|-2-3-2-------------------|-2-3-2-------------------------------------------|
|-2-3-2-------------------|-2-3-2-------------------------------------------|
verse part 4
guitar 1
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|---------0-----0-|
|-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
. . . . x . . . . . .
guitar 2
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-0-0-0-0-0-|-----------------|
. . . . x
last time guitars 1 and 2 play this:
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
|-0-0-0-0-0-|-----------------|
. . . . x
verse part 5
guitars 1 and 2
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-----0-----6-7-6-7-|-----0-----6-7-5-7-|
|-0-0-0-0-0-6-7-6-7-|-0-0-0-0-0-6-7-5-7-|
ending
guitars 1 and 2
|-----------|
|-----------|
|-----------|
|-----------|
|-----------|
|-0-0-0-0-0-|
. . . . x
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