Cephalic Carnage - "Exhumed Remains" Guitar Tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#Unless specified otherwise, this is NOT an official tab from the band members.#
#------------------------------------------------------------------------------#
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Band: Cephalic Carnage
Album: Cephalic Carnage/Anal Blast Split
Song: Exhumed Remains (track 3)
Copyright (c) Cephalic Carnage
5/31/03
Transcribed By: Dylan Neal
Email: Arsonist_savior@hotmail.co,m
. - palm mute / - slide up to
\ - slide down to ~ - vibrato
h - hammer on b - Bend
p - pull off Suffixes for bend
t - tap f - full bend h - half bend
ph - pinched harmonic q - quarter bend t - tap bend
* - see comment ^ - Hold bend r release bend
x - Stuccatto ~ - vibrato bend
, - slight palm mute () - ghost note, sustained note
" - tremolo note <> - Trill
B tunning
(B E A D G B)
You figure the riff repeats.
Part A
|--------------------------------------------------|
|--------------------------------------------------|
|--2”-3”-------------------------------------------|
|-------2”-3”-2”-----------------------------------|
|---------------2”---------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|---0”-3-2---0”-3-2-3-2—-0”-3-2—-0”-3-2-3-2--------|
. . . . . . . . . . . . . . . .
|--------------------------------------------------|
|--------------------------------------------------|
|--2”-3”-------------------------------------------|
|-------2”-3”-2”-----------------------------------|
|---------------2”---------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|---0”-3-2---0”-3-2-3-2—---------------------------|
. . . . . . . .
|--------------------------------------------------|
|--------------------------------------------------|
|--2”-3”-------------------------------------------|
|-------2”-3”-2”-----------------------------------|
|---------------2”---------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|---0”-3-2---0”-3-2-3-2—-0”-3-2—-0”-3-2-3-2--------|
. . . . . . . . . . . . . . . .
Part B(After bass line comes in)
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|-5/4-4--------5/4-4"--------5/4-2-----------------|
|-3/2-2-(x12)--3/2-2"-(x12)--3/2-2-(x12)-----------|
.
Part A
Breakdown after Part A
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|-2-2-2-2-5/4--------------------------------------|
|-0-0-0-0-3/2--------------------------------------|
. . . .
|--------------------------------------------------|
|--------------------------------------------------|
|--2”-3”-------------------------------------------|
|-------2”-3”-2”-----------------------------------|
|---------------2”---------------------------------|
|--------------------------------------------------|
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