#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #Unless specified otherwise, this is NOT an official tab from the band members.# #------------------------------------------------------------------------------# Visit MetalTabs.com for more metal tablature Song: Embodiment Artist: Carcass Album: Heartwork Contact: jave@zerg.com Embodiment Intro: |-----------------|------------| |-----------------|------------| |-----------------|------------| |-2---------3-----|-2----------| |-2-----3---1---3-|-2----------| |-0-0-0-1-x---x-1-|-0----------| |--------------------|------------------| |--------------------|------------------| |--------------------|-------------4----| |---6-7h9~~-7-6h7p6--|---4-5-----2---2--| |-4----------------7-|-2-----0----------| |--------------------|------------------| |--------------------|------------------| |--------------------|-------------AH---| |-----------------6--|-------------4b~~-| |---6-7h9~~-7-6h7----|---4-5-----2------| |-4------------------|-2-----0----------| |--------------------|------------------| Then repeat the above with the other guitar playing a harmony (up a major third, with the exception of the C# and G# notes, which are harmonised in minor thirds... is this clear?) |-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| |---4-5---4-5---4-|-5-7-5-4---------|---2-4---2-4---4-| |-2-----2-----2---|---------7-5-4-2-|-1-----1-----1---| |-----------------|-----------------|-----------------| |-----------------| Then again with a harmony, in perfect |-----------------| fifths this time. The final measure |-----------------| is different: just three G5 chords |-----------------| to lead into the verse. |---4-5---4-5---5-| |-3-----3-----3---| Verse: |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------3-----|-----------3-----|-----------3-----|-----------------| |-2-----3---1---3-|-2-----3---1---3-|-6-----3---1---3-|-2---------------| |-0-0-0-1-x---x-1-|-0-0-0-1-x---x-1-|-4-0-0-1-x---x-1-|-0-0-000-0-0-000-| Later on, the second riff after the intro (the palm-muted progression with B A# G as its roots) is heard with the second guitar playing power-chords: A#5 G5 the first time A#5 C5 G5 A5 the second time, into the following: "Raaargh! From your knees arise..." |---------------------------------------------------------------| |---------------------------------------------------------------| |----------------4-5-4-----------9--7-6---------9--7-6----------| |-----7---6---7--------7-6-4------------9-7-6----------9-7-6----| |-2--------------------------7-6--------------5--------------7--| |-0-0---0---0---------------------------------------------------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------2-3--------2-3--------2-3------2-3-5--| |-5---5------6---5------3---5------6----------| |-3----------4----------1----------4----------| The first versions of the leads were contributed by Avian: (both transcriptions are fairly similar) Michael Amott's: |------------------------------------------- h ---------- h ------- h ------| |----/------------------------------------15---17-17---15---17---15---17-17-| |--12---------------------16--12--------------------------------------------| |---------14--12--14--12----------14----------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |--------------15-------- h -- p -- p --------------------------------------| |--15--17--19------19--17---19---17---15----17-15-----17-20-17-17-20-17-17--| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| /\/\ /\/\/\/\ |-----------------19--------------------------------------------19----------| |--20-17-20-17-17-----------------------------------------------------------| |------------------------16--14---------------------------------------------| |--------------------------------17--16--17--16-----17-16-14----------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| Bill's solo: |---------------------------------------------------------------------------| |----/\/---/\/--------------------------------------------------------------| |--17----12----16------------h--p--p----------------------------------------| |------------------18--17--17-18-17-15---18--17--15------------h--p---------| |----------------------------------------------------18--17--17-18-17-------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |----------------------15----------------h--p-------------------------------| |--15--14-----15--18-------18--17--18--17-18-17---18-17-15-14---------------| |--------------------------------------------------------------16---13------| |---------------------------------------------------------------------------| |---------------------------------------------------------------h--p--------| |-------------------------------------------------12-13-15-13-12-13-12------| |------------------------------12-13-15-13-12-13-----------------------15---| |-------------13-15---11----15----------------------------------------------| |--15---13-15---------------------------------------------------------------| |---------------------------------------19-15-16-15-------------------------| |---------------------------------------------------18-16-15-16---/\/\------| |--12----------h--p------/\/\/\---------------------------------16----------| |-----15-13--12-13-12--10---------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |--22-19-20-19-------------------------------------------------h--h----| |--------------20-17---/\/\---------------------------h--h---12-13-15--| |--------------------19-------------h--h-----h--h---10-11-13-----------| |----------------------------------9-10-12-12-14-15--------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----p--p-------------------------------------------| |--15-13-12---p--p----------------------------------| |-----------13-11-10---p--p-----p--p----/\/\/\/\/\--| |--------------------15-14-12-12-10-9--9------------| |---------------------------------------------------| |---------------------------------------------------| Mike Driscoll offers the following as alternatives: (b=bend, full-step normally) Amott: |-----------------------------------12----12----12-14-15-14-12h14p12----12-----| |-------------------------------15b----15----15----------------------15----15b-| |-14b---------------14b16r14-12------------------------------------------------| |-14b---14-12-14-12------------------------------------------------------------| |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| |-12-15-12----12-15-12----12-15-15----12-15-12----12-15-12----15b-| |----------15----------15----------15----------15----------15-----| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |----------------------------------------------| |----------------------------------TH----------| |-14b--14-12-11-12-14-12-11-9-----(21)---------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| Steer: |-20~~~-------19~~----------------------------------------------------------------| |-------20~~~------21-20-20h21p20-18-21-20-18-------------------------------18~~~-| |---------------------------------------------20-19-19-20-19-17-16~~~-17-20-------| |---------------------------------------------------------------------------------| |---------------------------------------------------------------------------------| |---------------------------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-20-19-20-19-20-19-20-19-17-16----------------16h19p17--------| |-------------------------------18-15-17-17h18----------18~~---| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------------------------------15-16-19-16-15h16p15----15-----------------| |-------15h16-15-16-15----15-16----------------------18----18-16-15h16p15--| etc. |-16-17----------------17--------------------------------------------------| |--------------------------------------------------------------------------| |--------------------------------------------------------------------------| |--------------------------------------------------------------------------| Visit MetalTabs.com for more metal tablature