Bathory - "Equimanthorn" Guitar Tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#Unless specified otherwise, this is NOT an official tab from the band members.#
#------------------------------------------------------------------------------#
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EQUIMANTHORN
BATHORY
UNDER THE SIGN OF THE BLACK MARK
Tab by MALEAS E-MAIL: darkmaleas@yahoo.es
B Bend
RIFF 1
E|–––––––––––––––––––––––––––––––––––––––––––––––––––––––|
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D|–––––––––––––––––––––––––––––––––––––––––––––––––––––––|
A|–––––––––––––––––––––––––––––––––––––––––––––––––––––––|
E|–1–3–0–2––––1–3–0–2––––1–3–0–2–1–3–0–2–1–3–0–2–1–3–0–2–|
LUEGO SE PONE MAS PESADO
Then turns louder
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–3–5–2–4–3–5–2–4–3–5–2–4–3–5–2–4–3–5–2–4–3–5–2–4–|
E|–1–3–0–2–1–3–0–2–1–3–0–2–1–3–0–2–1–3–0–2–1–3–0–2–|
RIFF 2
EL RITMO DE EL RIFF ES COMO UN GALOPE ESCUCHALO DETENIDAMENTE
( The rhythm is like galloping listen to the song )
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B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–4–4455–4–4433–4–4455–4–4433–4–4455–4–4433–––––––|
E|–2–2233–2–2211–2–2233–2–2211–2–2233–2–2211–––––––|
RIFF 3 CHORUS
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B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–4444555544445555444455554444555544445555––––––––|
A|–2222333322223333222233332222333322223333––––––––|
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
RIFF 2
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–4–4455–4–4433–4–4455–4–4433–4–4455–4–4433–––––––|
E|–2–2233–2–2211–2–2233–2–2211–2–2233–2–2211–––––––|
RIFF 3 CHORUS
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–4444555544445555444455554444555544445555––––––––|
A|–2222333322223333222233332222333322223333––––––––|
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
RIFF 4
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–4–35–55–4–52–22–4–35–55–4–52–22–4–35–55–4–52–22–|
E|–2–13–33–2–30–00–2–13–33–2–30–00–2–13–33–2–30–00–|
RIFF 5
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–4––3––6––5––5–555555–4––3––6––5–555555––––––––––|
E|–2––1––4––3––3–333333–2––1––4––3–333333––––––––––|
RIFF 2
E|–––––––––––––––––––––––––––––––––––––––––––––––––|
B|–––––––––––––––––––––––––––––––––––––––––––––––––|
G|–––––––––––––––––––––––––––––––––––––––––––––––––|
D|–––––––––––––––––––––––––––––––––––––––––––––––––|
A|–4–4455–4–4433–4–4455–4–4433–4–4455–4–4433–––––––|
E|–2–2233–2–2211–2–2233–2–2211–2–2233–2–2211–––––––|
LA GUITARRA RITMICA EN EL SOLO SON LOS RIFFS 2 Y 3,
ESCUCHA CUIDADOSAMENTE CUANDO HACEN EL CAMBIO
( The rhythm guitar in the solo are the riff 2 and the riff 3 listen
to the change )
SOLO
( Con guitarra de 24 trastes – with guitar of 24 frets )
ESTE SOLO ES MUY LARGO Y CON MUCHAS NOTAS,
YO INTENTE DE TRANSCRIBIRLO LO MEJOR QUE PUDE.
CASI SIEMPRE SE HACE HAMMER ON
Y EL PICICKING ES SIEMPRE RAPIDO
( This solo is very long and with many notes too,
I tried to transcribe it the best as I could.
It uses a lot of hammer on and the picking is very fast )
E|––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
B|–2021202120212021202122B22B222324232423242324–––––––––––––
G|–––––––––––––––––––––––––––––––––––––––––––––242423222120–
D|––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
A|––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
E|––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
––––––––222323222323222323222323222322–––––––––––––
––––––––––––––––––––––––––––––––––––––2322–––––––––
–191817B––––––––––––––––––––––––––––––––––2322–––––
––––––––––––––––––––––––––––––––––––––––––––––2322–
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–––––––––––––––––––––––––––––––––––––––––––––––––––
THIS PAR SOUND LIKE TAPPING TO ME
–––––––––|––––––––––––––––––––––––––––––––––––––––––––|–
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–16161616|–181816161617171919202016161618181717161616–|–
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––––––––––––––––––––––––––––121313121313121313121313–
–232221201910101010–10B––––––––––––––––––––––––––––––
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–––––––––––––22232223222322232223222322232424242424242424–
–172020191716–––––––––––––––––––––––––––––––––––––––––––––
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EN EL FINAL DEL SOLO PARECE QUE QUORTHON TOCARA
LA PRIMERA CUERDA MAS ALLA DEL ULTIMO TRASTE
( In the end of the solo sounds like QUORTHON plays
the first string beyond the last fret )
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