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2004-04-20, 11:47
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New Blood
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Join Date: Apr 2004
Location: Somewhere in time
Posts: 14
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My sweep
I have made one sweep and it goes like this:
l----------------12------------------------------------------------------l
l-------------12---12----------------------------------------------------l
l----------9h12----12p9-------------------------------------------------l
l--------9------------9--------------------------------------------------l
l-----10---------------10------------------------------------------------l
l--12--------------------12----------------------------------------------l
Pretty simple but pretty good  |
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2004-04-21, 15:50
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New Blood
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Join Date: Apr 2004
Location: Somewhere in time
Posts: 14
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Any comment's??  |
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2004-04-29, 01:29
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New Blood
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Join Date: Apr 2004
Posts: 1
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Ya, for these sweeps, I'm unclear as to how the picking goes. Can someone clear that up for me?
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2004-04-29, 01:42
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Post-whore
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Join Date: Mar 2004
Posts: 1,487
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There is no particular way that you have to pick. Its a personal preference. Its sweep picking of course so its like playing a chord but slower so that you can hear every not and after every note you sort of mute it so that it doesnt ring like a chord. Some people hammer on the notes, and some people pick, its all a matter of what works best for you. I personally hammer on so that you just have to pick one note per string. If you have further questions on how it goes just ask.
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2004-04-29, 10:15
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New Blood
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Join Date: Apr 2004
Location: Somewhere in time
Posts: 4
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Quote:
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Originally Posted by 666DareDevil666
I have made one sweep and it goes like this:
l----------------12------------------------------------------------------l
l-------------12---12----------------------------------------------------l
l----------9h12----12p9-------------------------------------------------l
l--------9------------9--------------------------------------------------l
l-----10---------------10------------------------------------------------l
l--12--------------------12----------------------------------------------l
Pretty simple but pretty good |
Yeah it's simple but good |
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2004-05-07, 12:24
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New Blood
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Join Date: May 2004
Posts: 25
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the scale thingy I use
the pattern I ALWAYS use and havent gotten bored of yet is something like:
E:12-13--14-15-16
B:12-13--14-15-16
G:12-13--14-15-16 ETC;
D:
A:
E:
Thats not the only position I use, I move it all around the neck. I just use combos of those notes on those fret positionings, and everyone thinks the licks sound awesome.
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2004-05-26, 23:40
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Senior Metalhead
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Join Date: Apr 2004
Posts: 381
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I had posted this elsewhere before, but since there have been so many questions regarding scales I figured I'd toss em in here too. There are a few fairly exotic scales broken down in here, have fun with them.
I've begun thinking of scales as "chordscales" recently. Triads, the simplest chords can be broken from any chordscale. Every scale has a set of chords unique to that scale. We find those chords by using every other interval, in groups of 3. So the C major scale will have an interval structure of 1-2-3-4-5-6-7(c d e f g a b). So if we break it down into triads it goes something like this.
1-3-5 = C E G = Cmajor
2-4-6 = D F A = Dminor
3-5-7 = E G B = Eminor
4-6-1 = F A C = Fmajor
5-7-2 = G B D = Gmajor
6-1-3 = A C E = Aminor
7-2-4 = B D F = Bm-5
This can be done with any scale, below let's look at the C harmonic minor 1-2-b3-4-5-b6-7 (C D Eb F G Ab B)
1-b3-5 = C Eb G = Cminor
2-4-b6 = D F Ab = Dm-5
b3-5-7 = Eb G B = D# aug
4-b6-1 = F Ab C = Fminor
5-7-2 = G B D = Gmajor
b6-1-b3 = Ab C Eb = G#major
7-2-4 = B D F = Bm-5
It is more important to concentrate on playing over chords, rather than "in key" when soloing over any progression. Just use the chord being played and arpeggiate it, you can't go wrong if you do this. Alot of the time you will wind up just playing different modes of a particular chordscale anyway, especially if your progression is something common like Cmajor Eminor Gmajor, you'd arpeggiate them all in the key of C major, Ionian, Phrygian, Mixolydian. Another reason to follow chord progressions rather than modes all in one key is that every scale has a set of chords unique to that scale. However the chords individually may fit into many chordscales.
The chordscales below can be shifted to any key. Keep the interval structures and shift positions accordingly.
Code:
C Major modes
intervals: 1,2,3,4,5,6,7
half-steps: 2-2-1-2-2-2-1
notes: C,D,E,F,G,A,B
Order of Modes
Ionian
Dorian
Phrygian
Lydian
Mixolydian
Aeolian (natural minor)
Locrian
(In Dark Places Leave Many Apricot Lolipops. - don't laugh it works)
/ / / / //
e-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|
3 4 5 6 7 R 2 3
B-|---B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|
7 R 2 3 4 5 6 7
G-|---G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|
5 6 7 R 2 3 4 5
D-|---D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|
2 3 4 5 6 7 R 2
A-|---A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|
6 7 R 2 3 4 5 6
E-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|
3 4 5 6 7 R 2 3
/ / / / //
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|
B-|---B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-A-|
G-|---G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|
D-|---D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|
A-|---A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|
E-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
G-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
D-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
A-|-----|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|
E-|-----|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|
B-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|
G-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|
D-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|
E-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|
B-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|
G-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|
D-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|
E-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|
G-|-----|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
D-|-----|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
A-|-----|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
E-|-----|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|
G-|-----|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
D-|-----|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
A-|-----|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|
G-|-----|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|
A-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|
G-|-----|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|
A-|-----|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|
E-|-----|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|
B-|---B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-A-|
G-|---G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|
D-|---D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|
A-|---A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|
E-|---E-|-F-|---|-G-|---|-A-|---|-B-|-C-|---|-D-|---|-E-|-F-|---|-G-|---|-A-|
/ / / / // / /
D Harmonic Minor and it's 7 modes (minor keys always start with Aeolian)
Intervals 1, 2, b3, 4, 5, b6, 7
half steps 2-1-2-2-1-3-1
notes D E F G A Bb C#
D Harmonic minor
E Locrian Nat. 6
F Ionian aug
G Dorian #4
A Phrygian major
Bb Lydian #9
C# Alt dom (Mixolydian) bb7
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|--E--|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|---|--A|
B-|-----|---|-C#|--D|---|--E|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|---|
G-|--G--|---|--A|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|---|--A|-Bb|---|---|
D-|--D--|---|--E|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|
A-|--A--|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|
E-|--E--|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|---|--A|
/ / / / // / /
/ / / / //
e-|--E--|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|--E|
2 b3 4 5 b6 7 R 2
B-|-----|---|-C#|--D|---|--E|--F|---|--G|---|--A|-Bb|---|
7 R 2 b3 4 5 b6
G-|--G--|---|--A|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|
4 5 b6 7 R 2 b3 4
D-|--D--|---|--E|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|
R 2 b3 4 5 b6 7 R
A-|--A--|-Bb|---|---|-C#|--D|---|--E|--F|---|--G|---|--A|
5 b6 7 R 2 b3 4
E-|--E--|--F|---|--G|---|--A|-Bb|---|---|-C#|--D|---|--E|
2 b3 4 5 b6 7 R 2
/ / / / //
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|
B-|-----|---|---|---|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|
G-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|
D-|-----|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
E-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|
B-|-----|---|---|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|
G-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|
D-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|
E-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|
G-|-----|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|---|---|---|
D-|-----|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
A-|-----|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
E-|-----|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|
G-|-----|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|
D-|-----|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
A-|-----|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|---|---|
G-|-----|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
A-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|
G-|-----|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|
A-|-----|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|
E-|-----|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|
G-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
D-|-----|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|
A-|-----|---|---|---|---|---|---|---|-1-|---|-2-|---|-4-|---|---|---|---|---|
E-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
/ / / / // / /
Hungarian Gypsy scale, key of A
Intervals: 1 2 b3 #4 5 b6 7
Half-Steps: 2-1-3-1-1-3-1
Notes: A B C D# E F G#
/ / / / //
e-|-E---|-F-|---|---|-G#|-A-|---|-B-|-C-|---|---|-D#|-E-|
5 b6 7 R 2 b3 #4 5
B-|-B---|-C-|---|---|-D#|-E-|-F-|---|---|-G#|-A-|---|-B-|
2 b3 #4 5 b6 7 R 2
G-|-----|-G#|-A-|---|-B-|-C-|---|---|-D#|-E-|-F-|---|---|
7 R 2 b3 #4 5 b6
D-|-----|-D#|-E-|-F-|---|---|-G#|-A-|---|-B-|-C-|---|---|
#4 5 b6 7 R 2 b3
A-|-A---|---|-B-|-C-|---|---|-D#|-E-|-F-|---|---|-G#|-A-|
R 2 b3 #4 5 b6 7 R
E-|-E---|-F-|---|---|-G#|-A-|---|-B-|-C-|---|---|-D#|-E-|
5 b6 7 R 2 b3 #4 5
/ / / / //
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|
B-|-----|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|
G-|-----|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|
A-|-----|---|---|---|---|---|-1-|-2-|-3-|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|
G-|-----|---|---|---|---|---|---|---|-1-|-2-|-3-|---|---|---|---|---|---|---|
D-|-----|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|
A-|-----|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|
E-|-----|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|-2-|-3-|-4-|---|---|---|---|
B-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|
G-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|
D-|-----|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|
A-|-----|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|
E-|-----|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|
B-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|
G-|-----|---|---|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|
D-|-----|---|---|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|---|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|---|---|
E-|-----|---|---|---|---|---|---|---|---|---|---|-1-|-2-|-3-|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|
B-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|---|-3-|-4-|
G-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|-4-|---|
D-|-----|---|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|-3-|---|---|
A-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|-4-|---|---|
E-|-----|---|---|---|---|---|---|---|---|---|---|---|-1-|-2-|---|---|-4-|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|---|-1-|-2-|-3-|---|---|---|---|---|---|---|---|---|---|---|
G-|-----|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
D-|-----|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|---|---|---|
A-|-----|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|---|---|---|
E-|-----|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|-----|---|---|---|---|-1-|---|-3-|-4-|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|
G-|-----|---|---|---|-1-|-2-|---|---|-4-|---|---|---|---|---|---|---|---|---|
D-|-----|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|
A-|-----|---|---|-1-|---|---|-3-|-4-|---|---|---|---|---|---|---|---|---|---|
E-|-----|---|---|---|-1-|-2-|---|-4-|---|---|---|---|---|---|---|---|---|---|
/ / / / // / /
E Pentatonic Minor
intervals: 1,b3,4,5,b7
half-steps: 3-2-2-3-2
notes: E,G,A,B,D
O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
e-|---E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|
e-|---R-|---|---|-b3|---|-4-|---|-5-|---|---|-b7|---|-R-|---|---|-b3|---|-4-|
B-|---B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|
B-|---5-|---|---|-b7|---|-R-|---|---|-b3|---|-4-|---|-5-|---|---|-b7|---|-E-|
G-|---G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|
G-|---b3|---|-4-|---|-5-|---|---|-b7|---|-R-|---|---|-b3|---|-4-|---|-5-|---|
D-|---D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|
D-|---b7|---|-R-|---|---|-b3|---|-4-|---|-5-|---|---|-b7|---|-R-|---|---|-b3|
A-|---A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|
A-|---4-|---|-5-|---|---|-b7|---|-R-|---|---|-b3|---|-4-|---|-5-|---|---|-b7|
E-|---E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|
E-|---R-|---|---|-b3|---|-4-|---|-5-|---|---|-b7|---|-R-|---|---|-b3|---|-4-|
/ / / / // / /
/ / / / // / /
1.
e-|---0-|---|---|-2-|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
B-|---0-|---|---|-2-|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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/ / / / // / /
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/ / / / // / /
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e-|-----|---|---|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|
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G-|-----|---|---|---|---|---|---|---|---|---|---|---|---|---|-1-|---|-3-|---|
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/ / / / // / /
e-|-----|---|---|-1-|---|-3-|---|---|---|---|---|---|---|---|---|---|---|---|
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G-|-----|---|-1-|---|-3-|---|---|---|---|---|---|---|---|---|---|---|---|---|
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/ / / / // / /
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e-|-----|---|---|---|---|-1-|---|-3-|---|---|---|---|---|---|---|---|---|---|
B-|-----|---|---|---|---|-1-|---|---|-4-|---|---|---|---|---|---|---|---|---|
G-|-----|---|---|---|-1-|---|---|-4-|---|---|---|---|---|---|---|---|---|---|
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/ / / / // / /
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e-|-----|---|---|---|---|---|---|-1-|---|---|-4-|---|---|---|---|---|---|---|
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/ / / / // / /
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e-|-----|---|---|---|---|---|---|---|---|---|-1-|---|-3-|---|---|---|---|---|
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G-|-----|---|---|---|---|---|---|---|---|-1-|---|---|-4-|---|---|---|---|---|
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/ / / / // / /
e-|---E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|
B-|---B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|
G-|---G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|
D-|---D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|
A-|---A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|
E-|---E-|---|---|-G-|---|-A-|---|-B-|---|---|-D-|---|-E-|---|---|-G-|---|-A-|
/ / / / // / /
__________________
I'd give my right arm to be ambidextrous....
Liberals ate my baby. 
Last edited by AnubisXy : 2004-06-17 at 09:44.
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2004-06-12, 03:15
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New Blood
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Join Date: Apr 2004
Posts: 24
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sweet man this is becoming an intelligent place to visit.... who hade some trouble with that g minor 2nd inversion sweep?? that weird fingering threw me off a bit i finally got it fast. does a guitar theory thread exist yet?
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2004-06-12, 07:57
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El Diablo sin pantalones
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Join Date: Oct 2003
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Yes. How is theory sticky coming along Darko?
__________________
Quote:
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Originally Posted by Darko
Quote:
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Originally Posted by Requiem
Why would you sig that?
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Why not? Why would you sig me saying that I hate you? I was serious there, too. |
I'm in despair! The internet has left me in despair! |
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2004-06-12, 16:17
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Throbbing Member
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Goof stuff Anusb.
Honestly...I haven't even gotten it started yet. I've got the basic plan maped out in my head by I never had time to do it. And now that its summer, well....
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2004-06-12, 16:28
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Post-whore
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...well get started bitch. I wanna learn theory! NOW!!!
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2004-06-12, 17:33
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Post-whore
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Join Date: Mar 2004
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ya i need some theory desperately, I can barely understand what anubis was saying there
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2004-06-12, 17:39
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FUCKING HOFF-STYLE!!!!!!!
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Join Date: Apr 2004
Location: Sweden
Posts: 2,550
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Theory to the people!
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2004-06-14, 03:43
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El Diablo sin pantalones
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Join Date: Oct 2003
Location: Yggdrassyl
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Darko, P.m. me if you need any help, though I don't know how I could be of assistance.
__________________
Quote:
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Originally Posted by Darko
Quote:
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Originally Posted by Requiem
Why would you sig that?
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Why not? Why would you sig me saying that I hate you? I was serious there, too. |
I'm in despair! The internet has left me in despair! |
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2004-06-17, 09:38
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New Blood
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Join Date: May 2004
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any one give me the add of any website where i can find all the basic scale... am just a beginner... plz help !
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2004-06-17, 09:42
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Senior Metalhead
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Join Date: Apr 2004
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Just a few posts up, the C major and it's 7 modes. Also posted on the first page of this post, there's also a link on this page that goes to a place that has just about any scale you can think of mapped out, posted by shredisnotdead. Open your eyes...... 
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I'd give my right arm to be ambidextrous....
Liberals ate my baby. |
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2004-06-18, 03:09
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Post-whore
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Join Date: Mar 2004
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www.wholenote.com is so very very useful. It has chord charts, scale charts, and even arpeggio charts, plus thousands of lessons
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2004-06-18, 04:52
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Senior Metalhead
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Join Date: Apr 2004
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wholenote.com is awesome. Check this link out, it talks about the CAGED system. It will teach you to visualize every scale and chord in any key in any position of the fretboard. A guitarist should never have to change positions for anything, unless he/she needs to get to a higher/lower note or for dramatic effect. Cool lesson.
http://www.wholenote.com/default.as...l%3D912%26p%3D1
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I'd give my right arm to be ambidextrous....
Liberals ate my baby. |
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2004-06-22, 04:43
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The Mountie From Hell
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Location: Halifax N.S. Canada
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I would love to get a good finger tapping exercise, if anyone has one...
Also for the theory thread one thing I always wanted to know was what scales go well with other scales?
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Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-07-07, 04:01
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Senior Metalhead
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Quote:
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Also for the theory thread one thing I always wanted to know was what scales go well with other scales?
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Well, each scale is unique. The question would be better asked: What scales go well with which chords? Chords themselves are built from scales, using formulatic intervals. Every scale has a set of chords unique to that scale. The chords themselves may be constructed using many different scales, so in turn when played you have a wide variety to choose from when you solo over them depending on the emotion you're trying to convey. This is why it's important to learn as many different scales as possible, don't limit yourself to pentatonics.
Buy this book
http://www.guitargrimoire.com/gt02.htm
and this book
http://www.guitargrimoire.com/gt01.htm
They are incredibly powerfull tools.
__________________
I'd give my right arm to be ambidextrous....
Liberals ate my baby.
Last edited by AnubisXy : 2004-07-07 at 04:06.
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2004-07-07, 05:58
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Quote:
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Originally Posted by FearFrost
I would love to get a good finger tapping exercise, if anyone has one...
Also for the theory thread one thing I always wanted to know was what scales go well with other scales?
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I'll post some great fingertapping videos/tabs tomorow for you. As for the theory as to what scales go with what, if you read on the first page on how you link up the scales, it should answer your question. PM me if you need assisstance.
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deadheadrosesmusic.com
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2004-07-07, 14:10
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The Mountie From Hell
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Join Date: Jun 2003
Location: Halifax N.S. Canada
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THANK YOU!
__________________
Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-08-10, 09:18
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New Blood
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Join Date: Aug 2004
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E--12--8---------12-10-------10-8-5-----5-4-----4-7-5-4-5----------
B--------10---10-------9---9--------6--6----5--5----------------------
G-----------9-------------9-----------7-------4--------------------------------
Sweep every decending and acsending part. pick the 12-8 and 12-10 and 10-8-5 and 5-4 and 4-7-5-4-5 parts
THis sweep takes quite a while to perfect, i can barely do it perfectly.
Please dont steal this sweep, its part of my bands songs. WHICH are copy righted, lol, sorry for being so un-trusting.
This sweep sounds sorta vivaldi-ish to me
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2004-08-10, 19:55
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Sorry to anger you, but patterns like that are used alot.
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Check my band out:
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deadheadrosesmusic.com
i'm so bonery
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2004-08-10, 19:55
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Quote:
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Originally Posted by Darko
I'll post some great fingertapping videos/tabs tomorow for you. As for the theory as to what scales go with what, if you read on the first page on how you link up the scales, it should answer your question. PM me if you need assisstance.
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Damn do I procrastinate!
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Check my band out:
facebook.com/deadheadroses
deadheadroses.bandcamp.com
deadheadrosesmusic.com
i'm so bonery
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2004-08-10, 20:09
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Post-whore
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E-22-18------18--20-17-----17--15-10------10--17-14------14--
B------18--18---------18--18---------11--11---------15--15----
G--------19-------------17-------------12--------------14------
D---------------------------------------------------------------
A---------------------------------------------------------------
E---------------------------------------------------------------
E-15-10------10--17-14-----14--13-10---------------10-13------
B------11--11---------15--15---------11-----------11-----------
G--------12-------------14-------------10--------10------------
D----------------------------------------12-----12--------------
A------------------------------------------13-13----------------
E---------------------------------------------------------------
A nice piece of Concerto by Cacophony, just before Marty Friedman's solo. Not that hard of a piece. Very nice sounding.
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2004-08-19, 04:59
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Post-whore
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E------------------------------8-9-----------------------------------
B-----------------------6-8-9-----------------------------------------
G------------------5-6-----------------------------------------------
D-----------3-5-6---------------------------------------------------
A-------3-4--------------------------------------------------------
E-1-3-4-------------------------------------------------------------
The Hirajoshi scale in F.
A lot of Jason Becker's runs were based on this scale.
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2004-08-19, 05:11
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STUFFED ANIMAL ORGY
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Join Date: Jul 2003
Location: Chicago
Posts: 8,705
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Quote:
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Originally Posted by Darko
Damn do I procrastinate!
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Yeh, POST THAT DAMN THEORY THINGY
Theory is pissing me off... more than you can imagie.
__________________
"Believe the word
I will unlock my door
And pass the cemetery gates"
"Dimebag" Darrell Lance Abbott
08/20/66 - 12/08/04
R.I.P. |
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2004-08-20, 18:40
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Senior Metalhead
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Join Date: Aug 2001
Location: Ireland
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Heh Im back, havent being to this site for a long long time. Anyway heres some cool super challenging tapped sweep arpeggios with legato for you all. Shred heads will love them.
Enjoy. 16ths at in our around 170 bpm. Not for the meek.
e----------------7h12T15/19\15p12p7--------------------------------
b-------------8------------------------8-----------------------------
g----------9------------------------------9--------------------------
d-------9------------------------------------9-----------------------
a-7h10-----------------------------------------10--------------------
e---------------------------------------------------------------------
e--------------------------------------------7h12---------
b-----------------------------------------8---------------
g--------------------------------------9------------------
d-----------------------------------9---------------------
a-p7-----------------T14p10p7h10------------------------
e-----7p3p0h3h7T12---------------------------------------
e-/15p12----------19p15---------15-----------------------------------
b---------12-------------17----------17-----------------------17------
g-------------12-------------16----------16---------------16----------
d---------------------------------------------17------17--------------
a-------------------------------------------------19-------------------
e-----------------------------------------------------------------------
e-15p0h12p0h7p0h3p0T15/19\15p0T19/24\19p0-
b----------------------------------------------
g----------------------------------------------
d----------------------------------------------
a----------------------------------------------
e----------------------------------------------
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2004-08-21, 10:28
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Schrodinger's Cat
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Very nice, indeed.
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Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-08-21, 20:02
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Wasted Custom User title
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Join Date: Feb 2004
Location: Minneapolis.
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'Tis cool but thats what I usualy do when I sweep.
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This is my signature.
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2004-08-22, 21:43
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New Blood
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Join Date: Aug 2004
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How would you use the DIMINSHED scale in writing songs
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2004-08-23, 23:05
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Senior Metalhead
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Join Date: Aug 2001
Location: Ireland
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you wont use the diminished scale for a full song no matter how extreme you are, it should be used in small doses and only to add tension, you should always have it over a dim chord (vii of your major scale) and then return to the relative minor or major of the respective scale. For example in E minor you progression might be
Em, Bm, D, F#Dim 1 bar each
You would use E nat minor scale over first 3 bars than use F#dim scale over bar 4 but would run back into E nat minor for bar 5. The dim scale works better in small doses than overdoing it.
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www.soundclick.com/padraigdevers
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2004-08-23, 23:20
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Post-whore
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Join Date: Mar 2004
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stupid little question but what is a diminished chord and an augumented chord?
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2004-08-24, 19:10
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Senior Metalhead
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Location: Ireland
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Quote:
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Originally Posted by ShredIsNotDead
stupid little question but what is a diminished chord and an augumented chord?
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Diminished means you flatten the 5th augmented means you sharpen the 5th. Example in G Major, your chord tones are G - the root, B -the 3rd, D -the 5th.
To make the chord diminished you drop the 5th one half step, to C#, to augment the chord you raise the 5th one half step to Eb.
G Major---G dim--G Aug
e-3--------3-------3-------
b-3--------2-------4-------
g-4--------4-------4-------
d-5--------5-------5-------
a--------------------------
e--------------------------
Pretty simple really, just fancy names for raising and lowering 1 note.
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2004-08-26, 12:46
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Senior Metalhead
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Interesting stuff...
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2004-09-02, 20:46
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Post-whore
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DARKO!! GET ON WITH THE TAPPING! i need to learn the intro to the philosper!
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Quote:
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Originally Posted by Transient
Faceshitting...
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2004-09-02, 20:56
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The Mountie From Hell
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Location: Halifax N.S. Canada
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Quote:
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Originally Posted by Innards-Decay
DARKO!! GET ON WITH THE TAPPING! i need to learn the intro to the philosper!
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No offence but if you can't get that part, then what ever Darko will throw out at us will eat you alive.
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Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-09-02, 21:49
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Post-whore
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yeah your probably right, but i just got into playing lead and flashy stuff like sweeps and tapping. most of its greek to me right now, but i dunno that part sounds really cool and pretty simple so i figured itd be a good start.
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Quote:
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Originally Posted by Transient
Faceshitting...
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2004-09-02, 23:21
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Post-whore
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i found a little easy tap lick that sounds pretty cool, although i dont know two shits about theory so i cant tell you what keys/modes/whatevers its in. its in 16th note triplets at 120-125 bpm
e|t12h8t12h8t12h8t12h8t12h5t12h5t12h5t12h5t10h7t10h710h7t10h4t10h4t
b|----------------------------
g|----------------------------
d|----------------------------
a|----------------------------
e|10h4t10h4
b|----------------------------
g|----------------------------
d|----------------------------
a|----------------------------
come up with other cool stuff like this.
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Quote:
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Originally Posted by Transient
Faceshitting...
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2004-09-03, 10:22
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Senior Metalhead
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Join Date: Mar 2004
Location: OLD EUROPE
Posts: 359
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I like the tapping but i like more things like the exapmle is posted up but usig the strings like this:
12(t)-0-8-12(t)-0-8
or something like this other one
12(t)-0-5-8-12(t)-0-5-8
Or the last one ( this has the copyright too  )
12(t)-0-5-8-12(t)-6 -- 12(t)-0-5-8-12(T)-6 |
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2004-09-03, 16:56
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The Mountie From Hell
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Join Date: Jun 2003
Location: Halifax N.S. Canada
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Quote:
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Originally Posted by Becker rules
e----------------7h12T15/19\15p12p7--------------------------------
b-------------8------------------------8-----------------------------
g----------9------------------------------9--------------------------
d-------9------------------------------------9-----------------------
a-7h10-----------------------------------------10--------------------
e---------------------------------------------------------------------
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 THANK YOU!!! If only I was better at sweeps though 
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Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-09-03, 19:31
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Throbbing Member
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Allright, so I decided to put all Scales and Sweep tabs into powertabs along with a bunch of cool little sweep runs I made. Any other suggestions to put into it before I get started?
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2004-09-03, 20:32
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Post-whore
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thats a good idea
better follow through
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2004-09-04, 01:03
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Death to all but metal!
Forum Leader
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Could someone post a link to where I can download guitar pro PLEASE?
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Quote:
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Originally Posted by Amadeus
"Ja mein little poodle, I will hang you by your nipples in my garage,
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2004-09-04, 01:19
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The Mountie From Hell
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Join Date: Jun 2003
Location: Halifax N.S. Canada
Posts: 3,017
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Quote:
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Originally Posted by Darko
Allright, so I decided to put all Scales and Sweep tabs into powertabs along with a bunch of cool little sweep runs I made. Any other suggestions to put into it before I get started?
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TAPS!!!
@Metalthrashingmad
Its a pay thing, so try kazza or bitturent (sp?)
__________________
Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-09-04, 13:00
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Schrodinger's Cat
Forum Leader
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Join Date: Dec 2003
Location: Liverpool, England
Posts: 5,975
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Quote:
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Originally Posted by MetalThrashingMad
Could someone post a link to where I can download guitar pro PLEASE?
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You can get a 30 day trial from mysongbook.com, just download it from there and hey presto. I've had mine for longer than 30 days and it still works. Powertab is much better though.
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Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-09-04, 19:12
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Post-whore
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Join Date: Aug 2004
Location: Concord, CA
Posts: 1,665
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yeah but the trial makes it so you can have a max of 24 bars.
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Quote:
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Originally Posted by Transient
Faceshitting...
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2004-09-05, 18:14
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Schrodinger's Cat
Forum Leader
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Join Date: Dec 2003
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Does that limit only apply when creating a GP tab?
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Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-09-05, 19:37
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Throbbing Member
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Sorry guys, been busy. Last 3 day before school starts and well...you know  . I'll get right on it monday/tusday.
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Check my band out:
facebook.com/deadheadroses
deadheadroses.bandcamp.com
deadheadrosesmusic.com
i'm so bonery
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2004-09-05, 20:18
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Post-whore
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Join Date: Aug 2004
Location: Concord, CA
Posts: 1,665
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yeah, also if you make any modifications to a tab you downloaded and save it, it cuts off the bars that come after 24.
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Quote:
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Originally Posted by Transient
Faceshitting...
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2004-09-09, 21:40
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The Mountie From Hell
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Join Date: Jun 2003
Location: Halifax N.S. Canada
Posts: 3,017
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I have a request: How about some cool penatonic runs or something along those lines. I find there alot of sweep runs, but when it comes to other runs theres not too many.
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Quote:
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Originally Posted by Timedragon
i clicked on time... cause im timedragon
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2004-09-24, 14:30
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Senior Metalhead
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Join Date: Jan 2004
Location: Hurlock, Maryland
Posts: 104
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Here's a cool diminished scale exercise my guitar teacher gave me;
Code:
|---------------------------------|-----------------------6-----6-9---|
|---------------------------------|---------------8-----8-----8-------|
|-------------------------------6-|-----6-9---6-9---6-9-----9---------|
|---------------5-----5-8---5-8---|-5-8-----8-------------------------|
|-----4-7---4-7---4-7-----7-------|-----------------------------------|
|-3-6-----6-----------------------|-----------------------------------|
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2004-09-24, 14:49
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C-Un(i)t
Forum Leader
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Join Date: Sep 2004
Location: Melbourne, AUS
Posts: 2,637
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Quote:
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Originally Posted by methodlessman
Here's a cool diminished scale exercise my guitar teacher gave me;
Code:
|---------------------------------|-----------------------6-----6-9---|
|---------------------------------|---------------8-----8-----8-------|
|-------------------------------6-|-----6-9---6-9---6-9-----9---------|
|---------------5-----5-8---5-8---|-5-8-----8-------------------------|
|-----4-7---4-7---4-7-----7-------|-----------------------------------|
|-3-6-----6-----------------------|-----------------------------------|
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Thanks, mate. Ive been looking fore some more Necrophagist style scale exercises.
Holy shit I just figured out a couple of riffs from Mutilate the Stillborn which use this scale! Double thanks!
Last edited by Cloaca : 2004-09-24 at 14:53.
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2004-09-24, 16:14
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Senior Metalhead
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Join Date: Jan 2004
Location: Hurlock, Maryland
Posts: 104
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Happy to help.
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2004-09-28, 15:39
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Senior Metalhead
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Join Date: Apr 2004
Posts: 381
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A little Theory application:
Learn the scales up each string, one at a time. As mentioned numerous times before goto the following site, and take a peek at the C Major scale: http://www.looknohands.com/chordhou...r/index_rb.html
The numbers you're looking at are the scales intervals. Hint, start at 1 and go in order. The reason some of the other scales have intervals that have a little 'b' or a '#' next to them is because they are lower or higher compared to the C major scale. Those are sharps and flats, the reason they exist is for some reason all nomanclature is based on the C Major Scale, that's just the way it is.
So, what determines if it's b or #? Well, the C major scale has an interval structure of 1-2-3-4-5-6-7, it is composed of the 'natural' notes, starting on C. C-D-E-F-G-A-B. If we look at that on the fretboard, we have an interval structure as follows below starting on the 3rd fret of the A string.
A-|-3-5-7-8-10-12-14-(15, root, perfect eighth)-
Notice that between 7 and 8 (14 and 15, or an octave lower on the same string, 2 and 3. There is only one fret difference. That's because out of the 12 notes that exist (A - A#/Bb - B - C - C#/Db - D - D#/Eb - E - F - F#/Gb - G - G#/Ab) there is no E#/Fb or B#/Cb, these notes do not exist. Those notes that are the same, A#/Bb for example, are called "ENHARMONICS". What Determines which is used is whether you're going up or down, down is flat, up is sharp. Each of these 12 notes are 1/2 step away from each other. 1/2 steps are the building blocks of music, so to speak. Knowing that there are no enharmonics between B and C, or E and F we can determine that the C major scale is of the following structure, using half steps 2-2-1-2-2-2-1. We can determine this because we know that each half step is 1 fret, so
c-d = 2 (1/2 steps)
on the fretboard:
A-|-3-5 (2 frets)
d-e = 2 (1/2 steps)
A-|-5-7 (2 frets)
e-f = 1 (1/2 step)
A-|-7-8
Get the picture?
You'll notice that you can play any scale and any mode in any position on the fretboard. Once you start to visualize this in your mind a wonderful thing has begun and a whole endless universe of possibilities will open up.
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I'd give my right arm to be ambidextrous....
Liberals ate my baby.
Last edited by AnubisXy : 2004-09-29 at 17:40.
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2004-09-28, 15:40
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Senior Metalhead
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Join Date: Apr 2004
Posts: 381
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sorry about the double post.
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I'd give my right arm to be ambidextrous....
Liberals ate my baby.
Last edited by AnubisXy : 2004-09-29 at 17:40.
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2004-10-03, 00:21
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Senior Metalhead
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Join Date: Jan 2004
Location: Hurlock, Maryland
Posts: 104
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Here is alittle bit of Gorgasm's Morbid Overgrowth, its got some slower sweep picking, its good practice.
Code:
||----------------------------------------------------------------------------------||
||o---------------------------------------------------------13-10------------------o||
||------6-8-9p8p6-------6-8-9p8p6---------11-13-14p13p11----------11----------------||
||----6-----------6---6-----------6----11----------------11----------13-10----------||
||o-7---------------7---------------12-------------------------------------12-9----o||
||------------------------------------------------------------------------------11--||
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2004-10-03, 09:56
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New Blood
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Join Date: Oct 2004
Posts: 11
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cool diminished scale exercise
cool diminished scale exercise
Key = G minor
E|-------------------------------5-----5-8------8-11-15----|
B|---------------4-----4-7---4-7---4-7-----7-10------------|
G|-----2-5---2-5---2-5-----5-------------------------------|
D|---4-----4-----------------------------------------------|
A|-5-------------------------------------------------------|
E|---------------------------------------------------------|
 |
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2004-10-23, 22:23
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Supreme Metalhead
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Join Date: Jun 2002
Location: The Miasma
Posts: 694
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Pretty simple, but good (mellow) sounding 6-string sweep:
Dmaj7+9
e|-12 nine
B|-10 fifth
G|-9- nine
D|-11 major seventh
A|-9- third
E|-10 root
If you sweep it all the way through and hit the high and low E strings both on the down sweep and up sweep, it adds up to 8th note triplets in 4/4. If you only pick the outer notes one way, it can be 8th notes in 5/4.
__________________
seems like you got a case of stupidphobia
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2004-10-24, 06:18
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New Blood
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Join Date: Mar 2004
Posts: 9
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here are just a couple of sweeps that i made up...tell me what you think...
combination of sweep, bend, pull-off
e-------15h18^20--p16p15------------------------------------
b----16-------------------16---------------------
g-17-------------------------17--------------------
d-------------------------------17--------------------
a----------------------------------18------------
E-------------------------------------20-----
e---------9h11-13p9-------------------9h11-12p11------------
b-------11----------11--------------10------------10---------
g-----10---------------10---------9-------------------9--------
d---11-------------------11-----11---------------------11------
a-13-----------------------13-12-------------------------12----
e-----------------------------------------------------------
yeah...tell me what you think...thanks 
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Last edited by shemit : 2004-10-24 at 14:55.
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2004-10-24, 19:29
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Schrodinger's Cat
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Simple but effective, however it can be made even simpler. This is how I'd play it:
Code:
e-------15h18^20--p16p15------------------------------------
b----16-------------------16---------------------
g-17-------------------------17--------------------
d-------------------------------17--------------------
a----------------------------------18p15---------
E--------------------------------------------
e---------9h11-13p9-------------------9h11-12p11------------
b-------11----------11--------------10------------10---------
g-----10---------------10---------9-------------------9--------
d---11-------------------11-----11---------------------11------
a-13-----------------------13-12-------------------------12----
e-----------------------------------------------------------
__________________
Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-11-07, 17:55
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Schrodinger's Cat
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Here's a good sweep that I like to play:
Code:
|-------------13h17p13--------------------------|
|-----------15--------15----------15p12p0h13~~~-|
|------12-14------------14------14--------------|
|----14-------------------14--14----------------|
|-/15-----------------------12------------------|
|-----------------------------------------------|
__________________
Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-11-09, 18:35
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Senior Metalhead
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Join Date: Nov 2003
Location: In the ass of our lord.
Posts: 191
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AAAHH! Sweeps Are Hard
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2004-11-09, 18:51
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Post-whore
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Join Date: Aug 2004
Location: Iceland
Posts: 1,283
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Quote:
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Originally Posted by JacksonMan007
AAAHH! Sweeps Are Hard
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YES!! I'm sooo with you on that
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There are two kinds of peoble in this world, those who like me and those who can go to hell
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2004-11-09, 21:27
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Schrodinger's Cat
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I thought the same thing about a year ago. I've been playing for 9 years and I only really started to figure out how to sweep after 8 of those years. I guess it just came to me because instead of going all out attack on 6-string sweeps - which I'd been trying to do for years - I set my goals a little lower. For example, the above sweep can be split into mini-sweeps that can be practised individually. When you get more confident, combine them together and et viola!
Try breaking it down into smaller parts like these:
Code:
|---------|
|---------|
|------12-|
|----14---|
|-/15-----|
|---------|
|-----13h17p13-----|
|---15--------15---|
|-14------------14-|
|------------------|
|------------------|
|------------------|
Gradually, you'll find yourself being able to pull these off cleanly and then you can expand the sweeps as your skill increases. Remember to take them slowly at first!
__________________
Album of the day:
Red Sparowes - At the Soundless Dawn
Last edited by johnmansley : 2004-11-10 at 10:50.
Reason: grammar
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2004-11-09, 21:49
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Supreme Metalhead
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Join Date: Jul 2004
Location: Next to a guitar.
Posts: 560
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This is an exercise, based off of a whole-tone scale, I like to use to work up my sweeping skills:
|--------------------------------------|
|--------------------------------------|
|-12-----12-10------10-8-----8-6----6-|
|------13---------11--------9------7--|
|----14---------12--------10------8---|
|--------------------------------------|
...and so on. I guess this would be geared more toward working up to a more difficult level of sweeping and focusing on the clarity of the sweeping...regardless I think it sounds pretty good. Somestimes I'll continue a bar like that with:
|-----------------------------------|
|-----------------------------------|
|-18-----18-15------15-12------12-|
|------20---------17---------14----|
|----22---------19---------16------|
|-----------------------------------|
...and so on, that one being based off of somesort of diminished scale.
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2004-11-10, 02:24
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Wasted Custom User title
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Join Date: Feb 2004
Location: Minneapolis.
Posts: 5,002
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Quote:
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Originally Posted by JacksonMan007
AAAHH! Sweeps Are Hard
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Practice then you'll be cool like me and be able to sweep. Well, I guess your from Minnesota so you'll probably find it too hard. Silly Minnesotan.
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This is my signature.
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2004-11-23, 22:51
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New Blood
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Join Date: Nov 2004
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2004-12-20, 23:32
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Post-whore
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Join Date: Mar 2004
Location: San Antonio, TX
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Code:
|-5h8p5-----8h11p8-------11h14p11-------14h17p14-------|
|-------7----------10-------------13-------------16----|
|---------8-----------11-------------14-------------17-|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
It sounds really cool if you play it fast |
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2004-12-20, 23:51
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Wasted Custom User title
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Join Date: Feb 2004
Location: Minneapolis.
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Quote:
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Originally Posted by younguitarist
It sounds really cool if you play it fast |
ONE SHOT, ONE KILL!
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This is my signature.
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2004-12-21, 08:57
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Schrodinger's Cat
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Yeah, I like those diminished arpeggios, too.
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Album of the day:
Red Sparowes - At the Soundless Dawn
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2004-12-21, 17:20
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Wasted Custom User title
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----------12-15-12------------------------
-------14----------14----------------------
-12-15---------------15-12---------------
----------------------------------------
----------------------------------------
----------------------------------------
Awesome, just move it up and down the neck 3 frets at a time.
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This is my signature.
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2004-12-30, 20:16
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Post-whore
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Join Date: Aug 2004
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when you peoble became able to sweep perfectly how long had you been playing and how long had you been practising sweeps?
__________________
There are two kinds of peoble in this world, those who like me and those who can go to hell
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2005-01-06, 00:30
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New Blood
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Join Date: Oct 2004
Location: Canada-Quebec
Posts: 44
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Try this one. It's the hardest i tryed with sweep and taping because you have to play it very fast
Take from
Dying Fetus
Justifiable Homicide
Destroy the Opposition
www.dyingfetus.com
Tabbed by Sean Beasley and Mike Kimball
------------------10h14t19p14h10-----------------
---------------12-----------------12--------------
-------------12---------------------12------------
-----------12-------------------------12----------
--10h12h14-----------------------------14p12p10--
---------------------------------------------------
I just creat 1 sweep riff. Keep the same structure and start playing at
15
then same structure but starting at 12
then same structure but starting at 17
then same structure but starting at 19 (hardest, need 24 fret)
it should sound great
----------------15-19-15----------------
-------------17----------17-------------
-----------16--------------16-----------
---------17------------------17---------
---14-19-----------------------19-14----
-15----------------------------------15--
Last edited by ThongPick : 2005-01-06 at 00:55.
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2005-01-08, 04:23
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Post-whore
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Join Date: Jan 2005
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dunno if u could call this a sweep but it sounds sweet, its starts with major and then dim. i think lol
------------14h17p14------------------------------------------14h17p14-
---------15-----------15---------------13h16p13---------13h16----------
------14-----------------14---------14----------14----14----------------
---16----------------------16-13h16----------------16-------------------
-17----------------------------------------------------------------------
--------------------------------------------------------------------------
----------------14h17/20p17---------------17h20p17--------------17--22B
-13p16---13h16-------------19p16---16h19----------19p16--16h19--------
-------14-------------------------17----------------------17-------------
--------------------------------------------------------------------------
--------------------------------------------------------------------------
--------------------------------------------------------------------------
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2005-01-08, 18:22
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Post-whore
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Join Date: Jun 2004
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Quote:
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Originally Posted by k13m
dunno if u could call this a sweep but it sounds sweet, its starts with major and then dim. i think lol
------------14h17p14------------------------------------------14h17p14-
---------15-----------15---------------13h16p13---------13h16----------
------14-----------------14---------14----------14----14----------------
---16----------------------16-13h16----------------16-------------------
-17----------------------------------------------------------------------
--------------------------------------------------------------------------
----------------14h17/20p17---------------17h20p17--------------17--22B
-13p16---13h16-------------19p16---16h19----------19p16--16h19--------
-------14-------------------------17----------------------17-------------
--------------------------------------------------------------------------
--------------------------------------------------------------------------
--------------------------------------------------------------------------
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do you have a sound clip of anyone playing it? |
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2005-01-08, 18:56
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Post-whore
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Join Date: Mar 2004
Location: San Antonio, TX
Posts: 2,037
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Quote:
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Originally Posted by k13m
---------------
-13p16---
-------14--
-----------
-----------
------------
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you cant pull off from 13 to 16 
It sounds pretty cool though. |
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2005-01-08, 23:53
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Post-whore
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Join Date: Jan 2005
Location: vlissingen, the Netherlands
Posts: 2,680
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yeah lol, im only human, i have a clip- of it but thats in the end of a song that i had to learn from my guitar teacher he wrote it..
anyone who wants it let me know or email me cuz its a few mb
vis4life@hotmail.com
greetz |
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2005-01-20, 18:35
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Supreme Metalhead
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Join Date: Apr 2003
Location: Belgium
Posts: 722
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Can anybody give some tips for performig a 'standard' sweep + tapping a note (like fret 21, 20 or so)?
Does it involve a certain motion or trick to do it quickly and clean?
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2005-01-20, 22:22
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Post-whore
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Join Date: Jan 2005
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Quote:
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Originally Posted by Exodus666
Can anybody give some tips for performig a 'standard' sweep + tapping a note (like fret 21, 20 or so)?
Does it involve a certain motion or trick to do it quickly and clean?
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do u mean tapping and sweeping at the same time or tappoign AND sweeping??
anyway for just start slowly and make the movement a natural movement wich u dont have to think for and then get to speed.
if u mean tabbind ans sweeping at the same time try this.
its from nuno bettencourts get the funk out
------------------------------------------------------------------
----------------------------14-17-14-----------------------------
------------------14-18-14-----------14-18-14-------------------
---------14-19-14-----------------------------14-19-14----------
12-19-12-----------------------------------------------16-19-14-
------------------------------------------------------------------
this is in major, so if u take an minor arpegio and figure out the next note u should be able to do it
hope it help u get the idea, if not sry im drunk 
__________________
 < no wonder hes mad!!
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2005-01-21, 00:47
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Post-whore
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Join Date: Jun 2004
Location: Longmont, CO, USA
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haha drunk bastards,
anyways, i think he means tapping a note at the peaking of your sweep like
------------12-17t20t17p12----------------------
---------13-----------------13------------------
------14-----------------------14---------------
-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
or my favorite
------------8h12t17t12p8-------------------------
---------10--------------10-----------------------
-------9--------------------9---------------------
----10-----------------------10-------------------
-12-----------------------------12----------------
---------------------------------------------------
the T's being the tapping part. |
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2005-01-21, 01:23
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Post-whore
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Join Date: Jan 2005
Location: vlissingen, the Netherlands
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whatever
lolz
__________________
< no wonder hes mad!!
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2005-01-21, 07:25
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Supreme Metalhead
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Join Date: Apr 2003
Location: Belgium
Posts: 722
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Yes I meant what h4x5k8 said... |
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2005-01-23, 20:37
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New Blood
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Join Date: Sep 2004
Location: Sioux City, IA
Posts: 23
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So to do a sweep do you pick the notes while fingering at the same time but only using one stroke?(doesn't get it)
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2005-01-24, 02:39
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Post-whore
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Join Date: Jun 2004
Location: Longmont, CO, USA
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yea, you pick an arpeggio, you have to kinda angle the pick and just sweep it accross the strings, while fingering each note, make sure you lift each finger as you do it, so you only have one note playing at a time, not any other notes bleeding through to make a chord or somthing. i hope you can understand that.
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2005-01-26, 17:23
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Metalhead
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Join Date: Dec 2003
Location: In Hell
Posts: 64
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Hey can anyone post some viking scales? They were talkin about them the other day and I was wondering what they sounded like. I looked and couldn't find them any where?
Oh yeah........ k13m, that has got to be the best avatar ever. Other than the guy with the bananas! Haha!!
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Listen To The Screams Of The Dead
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2005-02-18, 02:08
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New Blood
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Join Date: Apr 2004
Posts: 20
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I can do three and four strings sweeps, but I can't figure out how to incorporate any more strings than that into them. Can someone explain how to do five and six string sweeps or point me in the direction of a website, etc. ? I skimmed the thread and I didn't see anything on it...
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2005-02-18, 02:53
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Post-whore
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Join Date: Mar 2004
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Just break down 6 string sweeps into sections. Example :
Section 1
Code:
|-----------------------|
|-----------------------|
|-------------12--------|
|----------12-----------|
|-------14--------------|
|-12h15-----------------|
Section 2
Code:
|----12-----------------|
|-13----13--------------|
|----------12-----------|
|-------------14--------|
|-----------------------|
|-----------------------|
Just practice and combine them together and in the end you'll be playing this.
Code:
|-------------------12-------------|
|----------------13----13----------|
|-------------12----------12-------|
|----------12----------------12----|
|-------14----------------------14-|
|-12h15----------------------------|
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2005-02-18, 02:54
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New Blood
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Join Date: Apr 2004
Posts: 20
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Thanks!
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2005-03-13, 09:39
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Post-whore
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Join Date: Jan 2005
Location: vlissingen, the Netherlands
Posts: 2,680
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ok for those that havent seen or heard or played it already.. heres some crazy sweeping i got of the site yesterday called serrana
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2005-03-31, 04:09
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New Blood
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Join Date: Nov 2004
Posts: 27
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Didn't look like anyone talked about parallel octaves, so I'm going to talk about that because it makes sweeping easier.
Here is a G major arpeggio: always G B D
-------------------------7-10---------------------------------------
----------------h------8--h-----------------------------------------
---------------4-7--------------------------------------------------
-----h------5-------------------------------------------------------
----2-5-------------------------------------------------------------
-3------------------------------------------------------------------
On the way down, replace the hammer with pull off. So easy. Note that the next octave is an octave away: first two frets / two strings, then 3 frets / 2 strings.
Do the same moves on these:
A minor
--------------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
-----h--------------------------------------------------------------
----3-7-------------------------------------------------------------
-5------------------------------------------------------------------
B dim
--------------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
-----h--------------------------------------------------------------
----5-8-------------------------------------------------------------
-7------------------------------------------------------------------
A minor
--------------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
-----h--------------------------------------------------------------
----7-12------------------------------------------------------------
-8------------------------------------------------------------------
Remember you can parallel any two-string parttern, as long as you pair strings 1& 2, 3&4, and 5&6.
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2005-03-31, 05:53
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Post-whore
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Join Date: Jun 2004
Location: Longmont, CO, USA
Posts: 1,978
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Quote:
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Originally Posted by ScareCrowMan
I can do three and four strings sweeps, but I can't figure out how to incorporate any more strings than that into them. Can someone explain how to do five and six string sweeps or point me in the direction of a website, etc. ? I skimmed the thread and I didn't see anything on it...
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http://metaltabs.com/forum/showpost...3&postcount=184
a couple posts up i show a fairly easy 5 string sweep |
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2005-04-04, 17:03
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Metalhead
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Join Date: Sep 2004
Posts: 50
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can anyone tab me out the irish folk scale?? can't find it anywhere
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2005-04-09, 09:36
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Supreme Metalhead
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Join Date: Feb 2005
Posts: 840
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In most of the sweeps in fact as I think of it now all the sweeps I practice have barred whatevers. What I need to know is in 4,5,6 string sweeps are you suppose to barre and if yes how do you go about doing this cause I can do it but I don't know if I'm doing it properly.
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2005-04-09, 10:41
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Schrodinger's Cat
Forum Leader
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Join Date: Dec 2003
Location: Liverpool, England
Posts: 5,975
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When you barre, use a rolling motion so that the notes don't sound as you move to the next string. It's a hard technique but practise it slowly at first in order to master the correct motion. Then once you've mastered the actually act at a slow pace, you can move onto gaining speed with your sweeping.
Of course, if you try to sweep like Muhammed Suicmez on your first attempt it's going to sound like the death throes of a baboon in labour so set your sights a little lower at first. You could try practising the rolling motion on 3-string sweeps at first. Try the following example for your index finger:
Code:
|-------12h15p12----------12h15p12----|
|----12----------12----12----------12-|
|-12----------------12----------------|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
And then the next example for your ring or middle fingers:
Code:
|----------12h15p12---------|
|-------14----------14------|
|----14----------------14---|
|-14---------------------14-|
|---------------------------|
|---------------------------|
Then you should have the necessary skills to attempt 5 and 6-string sweeps like:
Code:
|-------------------12h15p12-------------------|
|----------------12----------12----------------|
|-------------12----------------12-------------|
|----------14----------------------14----------|
|-------14----------------------------14-------|
|-12h15----------------------------------15p12-|
__________________
Album of the day:
Red Sparowes - At the Soundless Dawn
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2005-04-09, 13:50
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Supreme Metalhead
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Join Date: Feb 2005
Posts: 840
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thanks for your help.
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2005-04-09, 17:09
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Post-whore
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Join Date: Mar 2004
Posts: 1,487
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2005-04-09, 19:08
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Senior Metalhead
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Join Date: Jul 2003
Location: Montréal, QC
Posts: 470
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Quote:
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Originally Posted by BloodThirstyDemon
can anyone tab me out the irish folk scale?? can't find it anywhere
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What ? |
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2005-04-10, 21:00
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New Blood
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Join Date: Mar 2005
Posts: 21
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just get GuitarPro.. every scale you could possibly imagine
edit: but isn't something like that just a normal scale? major or something?
Last edited by Ragnarök : 2005-04-10 at 21:02.
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