grimmsage
2007-03-14, 04:48
Hail mighty borthers, I'm new here, have been reading this forum for a while, and now I've got questions for people who know their metal vocals.
Ok, I thought I've figured out the way without hurting my throat much, but it still gets dry and painful after a couple of verses growled. I've noted one suggestion posted somewhere over here that there should be no vibration in my throat as I do this sort of vocals - which doesn't sound completely understandable to me... after all, there must be something happening as I produce a sound... Anyway, I did get the vibe right below the throat, somewhere below the actual vocal chords, but this only broduces that deathy brutal growl a-la Vader, not very flexible - all I can do is to sound like I've beaten the cookie monster.
Another issue I'm having with that is the low-volume quality growl - I can't get the rasp unles pumping it loud through the throat - and this leads to the aforementioned vocal fatigue.
All this brings us to the point of my question: today I tried to record some "sketch" vocals for a black metal song - that is, without any compressors etc, just with the mic, and was horrified by the result... horrified in a bad way, so it wasn't scary, frostbitten or agonisingly despairing at all. I seem to lack the flexibility to my growl - it doesn't go very-very low, but to Hell with that, the problem is, every time I try to go higher from a mid-range Shagrath grrrr!!! to a searing Laiho argh!!! the pain comes back and I quickly run out of rasp.
I've got baritone, my range is quite pathetic, like, 1.5 octaves, maybe more, since I did manage to sing Mirror Mirror once without going very high where I should've had to... And genrally, adding a rasp to my clean vocals is virtually impossible, I'm stuck with the awkward epic chanting kinda voice if I'm not doing a full-on growl. Maybe all the problems are because of these technical characteristics of my voice?
Yep. Got any ideas, anyone?
Ok, I thought I've figured out the way without hurting my throat much, but it still gets dry and painful after a couple of verses growled. I've noted one suggestion posted somewhere over here that there should be no vibration in my throat as I do this sort of vocals - which doesn't sound completely understandable to me... after all, there must be something happening as I produce a sound... Anyway, I did get the vibe right below the throat, somewhere below the actual vocal chords, but this only broduces that deathy brutal growl a-la Vader, not very flexible - all I can do is to sound like I've beaten the cookie monster.
Another issue I'm having with that is the low-volume quality growl - I can't get the rasp unles pumping it loud through the throat - and this leads to the aforementioned vocal fatigue.
All this brings us to the point of my question: today I tried to record some "sketch" vocals for a black metal song - that is, without any compressors etc, just with the mic, and was horrified by the result... horrified in a bad way, so it wasn't scary, frostbitten or agonisingly despairing at all. I seem to lack the flexibility to my growl - it doesn't go very-very low, but to Hell with that, the problem is, every time I try to go higher from a mid-range Shagrath grrrr!!! to a searing Laiho argh!!! the pain comes back and I quickly run out of rasp.
I've got baritone, my range is quite pathetic, like, 1.5 octaves, maybe more, since I did manage to sing Mirror Mirror once without going very high where I should've had to... And genrally, adding a rasp to my clean vocals is virtually impossible, I'm stuck with the awkward epic chanting kinda voice if I'm not doing a full-on growl. Maybe all the problems are because of these technical characteristics of my voice?
Yep. Got any ideas, anyone?